Showing posts with label dennis cozzalio. Show all posts
Showing posts with label dennis cozzalio. Show all posts

Wednesday, April 7, 2010

The Return of the Cinephile Native

It's been a long time since an update here and I apologize. Spring Break for schools in this area runs a full week and two days so today is the first day back. I've got plenty so say, which I'm working on, but for now it's probably best to just get out whatever unedited, unformed thoughts on movies I have in my head to break the long silence.

*A couple of weeks ago my wife and youngest went to see Mon Oncle at the AFI and I maintain that not only does Jacques Tati work on the big screen (and with a cheerful audience) where he may be slightly mystifying on the small screen, but he triumphs. The film was a delight, yes, but visually Tati is a brilliant observer lacking in all sentiment. It was my wife who noted, "There's not one close-up in this movie." There is not and as she also noted, during the wagon ride scene, it's in close-up that sentiment works its magic. Without it we are only observers to the scene, and the scene thus carries only delight and no goopiness. What a terrific movie! If you ever get the chance to see it on the big screen I highly recommend it.

*My wife and I were watching Keys to the Kingdom the other night on TCM and both remarked that Gregory Peck's relentless solemnity made him perfect for roles like this, and perhaps not much else. He had a great, deep and resonating voice, one made for missionary priests and righteous lawyers (To Kill a Mockingbird) but I don't care for him much outside those limitations.

*Also while watching Keys to the Kingdom we received an alert from the Associated Press' International Duh Division: Thomas Mitchell is one of the best character actors that ever lived.

*Some of those old ABC Mysteries (Columbo, McCloud, McMillan and Wife) were pretty good. We watched some on Netflix Instant and had a great trip down memory lane in the process.

*We also watched some Alfred Hitchcock Presents. Not as good as I remember but one of the ones we watched, Our Cook's a Treasure, with Everett Sloane and Beulah Bondi, was terrific.

*Hell, we watched a lot of classic tv quite frankly. Maybe Spring Break put us in a nostalgic mood but we also watched Kolchak: The Night Stalker and The Rockford Files.

As to the first, it's about as hit or miss as they come and it was quite clear the network was just throwing shit together to hook in the horror/supernatural crowd. The lizard man in The Sentry doesn't even resemble a man in a Halloween costume, he resembles a man in a second-hand, discounted, retrieved-from-the-dumpster Halloween costume. The Trevi Collection, however, about a witch trying to take over the world of fashion, was fairly decent and achieved low levels of creepiness with the mannequins coming to life.

As to the second, it's too bad James Garner couldn't have stayed young forever and had one new show after another throughout the decades. The Rockford Files may be an average detective show, and is, but Garner's charisma makes each episode worth watching. And the opening credits, with the still photos fading one into the other, just may make a special tv version of "Opening Credits I Love."

Finally, Dennis Cozzalio has chosen poorly. Maury Chaykin responds:

Sunday, December 20, 2009

A Brick Wall: Thoughts on the Avatar dialogue


In the 1960 classic chiller Village of the Damned George Sanders is finally able to rid the village of Midwich from the menacing mind-reading children by focusing his mind on a brick wall, the better to conceal that he has carried a bomb into the schoolhouse. "A brick wall," he keeps repeating to himself, "a brick wall." Lately with all the Avatar talk going on around town, and by town I mean the tubes, I've been thinking of that scene again. Why? Because, in a strange phenomenon that has developed, it seems much of the talk isn't just about the movie but about how many people, and who, pre-judged the movie before they saw it, as if they should have blocked their minds from any thoughts on the film and concentrated instead on a brick wall. That they didn't do this is apparently of great ethical concern. Allow me a brief lapse of decorum so that I may say boldly, "Who gives a fuck?!"

I pre-judge movies all the time. And food. And books. And events, parties, gatherings, what have you. No matter what it is or may be I have this annoying habit of actually giving thought to something before I engage in it. Goddamn meddlesome big human brain! And if you're a member of the human species, and I can only conclude definitively that you are if you have the ability to read this, you do too. It's called the cognitive process. Thinking. You, me, everyone - We do it all the time. So why is it such a sin to suddenly do it with Avatar? From what I gather, the sin has been to, gasp, make public one's pre-judgments. Again, who gives a fuck?

The problem with pre-judging something surfaces only if you allow your pre-judgment to trump your actual experience. Outside of stubborn children I have rarely encountered this in real life. And so the pre-judgments simply serve as a jumping off point for talking about the movie and what you think it's going to be like. And what's wrong with that? Going into a movie I always have expectations one way or the other. Always. Examples? Okay, I'll give you some examples:

Return of the Jedi: Oh boy! Oh boy, oh boy, oh boy. Having seen the first two Star Wars movies upon their respective releases and liking the second, The Empire Strikes Back, even better than the first I was freaking psyched for the third and final installment! It was guaranteed I would love it and I liked the series so much I knew I'd love it no matter what. Ahem. I was underwhelmed. Substantially. For years I was miffed that that was how it ended, until The Phantom Menace came along and made it look like Citizen Kane. Speaking of which...

Citizen Kane: That's right, you read that correctly, Citizen Kane. Like most, my ciniphelia started at an early age and like all the 40-ups out there I had no cable or video stores with which to feed my burgeoning fanaticism and so relied on film books. Well, let me tell you, by the time I finally had the opportunity to see Citizen Kane I was sure - Absolutely sure! - I would be unimpressed. I'd read too much about it, way too much and it couldn't all be true. I was prepared to be underwhelmed and dejected. Boy was I wrong! I immediately fell in love and Orson Welles and all his works, and life, have been a fascination of mine ever since.

Catch-22 and Fail Safe: I think of these movies together because both suffered from being compared to another film released around the same time that was considered vastly superior. In the case of Catch-22 it was M.A.S.H and in the case of Fail Safe it was Dr. Strangelove. I saw both of the "lesser" films years later and was prepared to be slightly bored by both. Not only was I wrong and, in fact, greatly enjoyed both films but in the case of Catch-22 I think it has dated far better than M.A.S.H.

Okay, I've got about a million more examples like those but you get the point. I've never said to myself, "Boy, I'm probably going to hate this," and then saw said film, loved it, and said, "I've got to hide the fact that I loved it to save face. I'll pretend to everyone that I really hated it!" Nor have I ever let a prejudgement affect my considered opinion of a film (or restaurant or party or whatever) for very long. Perhaps for the first few minutes but then the brain takes over and you know if something is good or bad, no matter what you thought going in.

So there you have it. Can we stop knocking folks for pre-judging Avatar please? Anticipation, forming advance opinions, sharing them with other cinephiles - it's all a part of the process, not a shameful sin. Now, don't get me wrong, I understand when things go too far and it's usually around this point: "I hate that movie and I have no intention of seeing it!" Well then you can't hate it can you? I mean, if you're never going to see it how can you hate it? And if you're going to refuse to see it then you probably should refrain from discussing it with others who have. That I understand. But that isn't what's happening. The complaints are about reactions the film received in the months leading up to its release. And there I don't quite get the problem. If you're not into the pre-release gossip (and as anyone who reads Cinema Styles knows, I am not) don't talk about it. If others are, don't worry about it. Let them discuss how bad or good they think it's going to be if that's they're bag of fun. Really. It's okay.

And no, I haven't seen Avatar yet but I will tell you that I did (of course!) pre-judge it. I saw the trailer a couple of months back and thought, "My God, that looks like one of the worst things in the history of the human experience." Now it's out and I've read many good reviews and many bad ones. When I see it I will either love it, like it, be indifferent to it or hate it. And whichever of those it turns out to be it will have nothing to do with my reaction to watching the trailer and everything to do with my actual experience in the theater. And if you don't believe me just go ask Dennis Cozzalio. Read this piece and its paragraphs concerning Speed Racer. He was convinced it would be a dreadful dud going in. A few months later it ended up topping his list for the best of the year. Why? Because he's not a child and no matter what his pre-judgments were going in he went with his actual experience in the end(and even shared his pre-judgments with us). It's only human. The only problem is when the pre-judgment trumps the experience because then we've moved into the area of dishonesty and that's an area into which no cinephile should ever venture.

Monday, December 7, 2009

Professor Guy From Somewhere in Time's Late Year Quiz or Something

I've decided to do my own quiz because I've been thinking, "Why should Dennis have all the fun?" Besides, how hard can it be right? I mean, you throw together some questions, you hit 'post', you're done. Piece of cake.

First I gotta choose a name. Easy, that professor dude from Somewhere in Time that Christopher Reeve asks about time travel. I can't remember his name and I can't find a picture of that scene anywhere online and I don't own a copy so screw it, he now looks this as far as I'm concerned and his name is Professor Skippy. So far so good.



Okay, now for the questions. Answer them here or own your own blog or just make up your own quiz or just pretend you answered them. Either way, I'm good. And now for the quiz. Fire away:

1. Dinah Shore or Russell Crowe?

2. What was the last movie you saw on DVD? In a theatre? In a large abandoned warehouse with a Satanic cult in the corner trying to hold a ritual while yelling at you, "Hey man, turn it down!"?

3. Second favorite Carrie Henn movie.

4. The Cat From Outer Space. Yes or No?

5. If you were eating yogurt and I walked up and said, "Mmmm yogurt," then took a big spoonful without asking, then went, "Ewww, gross!" and spit it back into the yogurt cup, would you keep eating it? Why or why not?

6. Most misunderstood film of 1907.

7. When was the last time you punched someone in a movie theater? (submitted by Marilyn)

8. Marie Dressler or Robert Wagner?

9. Why do the ladies love Bill so much? (submitted by Bill)

10. Favorite movie with a scene where a t-rex terrorizes two children in an electric SUV stalled on a track while the lawyer that was in the car with them has fled to the bathroom and two scientists, one a mathematician and the other a prominent archaeologist, are in another stalled electric SUV behind them? Mine's Marty.

11. How many fingers am I holding up?

12. Jeff Conway or Hoot Gibson?

13. Movie you would like to see remade entirely with squirrels?

14. When will Larry Aydlette delete his current blog? Two months from now? Three months? Tomorrow?

15. Where have all the flowers gone?

16. Donna Pescow or Lloyd Nolan?

17. You know how in Casablanca Louis keeps his mouth shut about Rick shooting the stinkin' Nazi? Isn't that fucking awesome?

18. What in the hell is that awful smell?

19. So at the end of The Godfather after the door closes on Kay, Michael opens it back up and says, "You know what, I lied. I did order Carlo's death. Forgive me?" as he makes a puppy dog face. Then Kay says, "Oh okay, I forgive you. [wagging her finger in mock disapproval] This time! Hey, how about ham salad for lunch?" Michael says, "Sounds good. Kissie?" Then they peck a couple of times and rub noses while the other guys all pretend to look at the bookshelves. Then Kay goes off humming "Come on-a My House" while Michael says before closing the study door, "Who's up for a game of backgammon?"

Better ending, right?

20. 21st favorite question on this quiz.

Okay, that wraps it up. I hope everyone enjoys answering these brain-busters as much as I enjoyed thinking them up. Look forward to your answers in the comment section. Professor Skippy says, "Get cracking!"

Thursday, May 14, 2009

Alternate Reality: Blogging in the Seventies

10 >> Hi everyone, no time for a full post today as I have a
20 >> hot tub party to get to and I can't be late again.
30 >> Just wanted to throw some links out there for all
40 >> of you who couldn't access the comp lab last week.
50 >> First off, Rick at Junction817332alt/loc.glc/systems has
60 >> a great post up on George Segal where he wonders if
70 >> any other actor will ever be as big a star. The title
80 >> of his post is "Golden Boy."
90 >> Next up Marilyn at glob/sys/344/msmovie has a great
100>> write up of last year's SILVER STREAK. She swoons
110>> over Gene Wilder and says, "Jill (Clayburgh), you are
120>> one lucky lady!"
130>> Jim Emerson uses a projector and film reel at the AV
140>> center on the north side of campus to explain why
150>> LOGAN'S RUN is a bad film based on a three second
160>> clip he has obtained and dissected frame by frame.
170>> That anonymous merry prankster Arbogast has
180>> another post up about Dolly Parton and Uschi Digard
190>> and wonders who would win in a "Boob-Off" contest.
200>> Dennis Cozzalio is going to be an extra in a college
210>> based comedy next year called, get this, ANIMAL
220>> HOUSE. Could that title be worse? Take a picture
230>> Dennis because this one's going to come and go if
240>> you know what I mean.
250>> And of course there's me. Don't forget to check out
260>> my seventeenth post on STAR WARS, the most awe-
270>> inspiring masterwork the cinema has yet produced.
280>> I uploaded it to the main-frame at the computer lab
290>> yesterday. In it I discuss how Luke Skywalker
300>> played by Mark Hamill (God what a performance!)
310>> could be taken as a stand-in for Bob Woodward and
320>> Carl Bernstein and Darth Vader as Nixon. You
330>> probably don't see how that could possibly work
340>> but it does! Really! Anyway, I've got to go.
350>> MAY THE FORCE BE WITH YOU - ALWAYS!

Wednesday, September 17, 2008

Friday, July 4, 2008

Today's the Fourth of July...



... Another June has gone by
And when they light up our town I just think
What a waste of gun powder and sky


Well, Aimee may feel that way but I've always liked a good fireworks display, as long as I'm not involved (I hate the stink and clean-up of those things). Living in the D.C. area has afforded me the opportunity to see some grand displays on the Mall but I've never done so; it feels like a tourist thing to do. If you live here why would you want to go down to the Mall, somewhere you've been a thousand times, only this time there are 100 times more people smashing up against you and reeking of sweat and egg salad? No thanks. The best firework display I've seen here was out in Hagerstown at a Suns game (that's the local Farm Team there - we're talking baseball in case anyone's confused). They have fireworks throughout the season anyway after certain games (usually Friday games) but the 4th of July one was great - and LOUD! Because it's a small stadium and the fireworks, which are of the big professional variety, are shot off just past the bleachers you can feel soundwaves hit you and rumble through the stands. This year they're playing the West Virginia Power on the fourth in West Virginia and I'll be in Vermont so neither I nor the Suns will be missing each other's company.


Now I know what you're thinking (you're probably not thinking it but just pretend you are to make me feel better). You're thinking, "You live a skip and jump away from not one but two Major League Teams, the Nationals and the Orioles, and you go to the Hagerstown Suns?" Yes. Yes, I do. Know why? Because, with all apologies to Dennis Cozzalio, Major League Parks just don't do it for me. They're big, imposing, cost a fortune and have no feeling of intimacy at all, not even in the best of the old parks (I'm sure many will disagree with that).

For me, the difference between a big Major League park and a Farm Team diamond with bleachers on two sides is the difference between the big, corporate Multiplex and the locally owned revival house or drive-in theatre. One is big and splashy and looks sterile and the other is, well, kind of trashy, but in a good way.

One of my favorite sporting experiences came from a couple of drunken fans seated behind me at a Suns game. I can't remember who the Suns were playing but I'll never forget the name of their opponent's Third Base Coach: Forbes. All through the game the two guys behind us mercilessly lofted one heckle after another at poor old Forbes, that name emblazoned across the back of his uniform (much to his regret I'm sure). Some favorites of my wife and I: "You're the backbone of this team Forbes!" "I want to have your children Forbes!" "Forbes, I can't resist you any longer. Marry me!" Just like a favorite line from a movie my wife or I will occasionally trot out the "backbone" line when mocking someone's efforts.

Now, sure, you get hecklers at the big parks too but they usually don't have the ability to entertain the entire stadium. At a small park the "Forbes" hecklers could be heard... well... everywhere. They were getting laughs from the other side of the diamond. And if they're not entertaining, don't worry, everyone will tell them to shut up. It's like one big loud, drunken, trashy family. So if you're in a town with both a Major League team and a Farm Team support the Farm Team. They need your support more. Keep rooting for the big team of course (wouldn't want them to leave town) but occasionally drop by that bleachered field and say "Hi" to your local Forbes. And if the mood strikes you, ask him to marry you.

Happy Fourth of July to my fellow American Yankee readers and Happy Friday to everyone else across the world.

Monday, June 2, 2008

Framing the Picture


First, I'd like to thank everyone for their kind and generous words in relation to Frames of Reference and give a special thanks to those who chose to link or embed it on their own blogs: Dennis, Jim, Larry, Brian, Bob, Hedwig, Alonzo, Jozef and fellow pseudonymous blogger Arbogast. I can only go by what technorati gives me, and they're infamously slow, so if I missed anyone I apologize. And now for a little background.


Watching the montage probably didn't give the viewer a good enough idea of just how anal I am when it comes to editing, and that's probably a good thing. I'm the kind of editor that will work for extended periods of time tweaking something that I know only I will notice. And yet I do it anyway. Of course I want someone to notice, starved for attention as I am, and with my blog I now have the luxury of pointing out those things to everyone. But don't worry, I'm not going to go through the whole movie. However, I will give you one example. At the 4:25 mark we cut from The Ruling Class to Singin' in the Rain. It's not a random cut. I tweaked and tweaked until I got it to the exact point it's at. You see, the split second before we cut to Singin' in the Rain Peter O'Toole kicks his right leg out and at that moment we cut to Gene Kelly completing the kick with his right leg. And it happens at the moment of a snare drum hit as well. Watch it again and you'll see it. I then go back to The Ruling Class because I wanted to frame Peter O'Toole's hilariously amateurish dancing with that of the accomplished Kelly and Astaire. The second cut from O'Toole to Astaire is more obvious: O'Toole does a laughable twirl in the air and Astaire does a masterful twirl with the coatrack. Both O'Toole frames connect to the Kelly/Astaire frame after them, but I suspected only the Astaire one would be noticed. If anyone did notice the Kelly connection before this let me know, it will make me very happy indeed. And if you didn't notice you'll never be able to watch it again now without seeing it. Every time I watch it I hear that snare as the kicks complete each other.


So that's one example of what was going through my mind when putting it together. The obvious purpose was to connect the clips but some connections might not be as apparent as others. Near the end of the video I use reaction shots to clips which is not done for the first two thirds. For instance, after the water torture scenes I show a Dennis Weaver reaction shot from Touch of Evil, as if he's watching the water torture, and is horrified. Soon after that, following the whipping scenes, I show a Cary Grant reaction shot as if he were witnessing Ingrid Bergman and Lana Turner being whipped like horses by Spencer Tracy. If you want a comedic reaction shot to a barely disguised S&M sexual fantasy sequence from Dr. Jekyl and Mr. Hyde, Cary Grant's your go-to guy.


Later comes possibly the most tenuous connection. I show Mordred with his lance from Excalibur followed by Christopher Walken with his cane from The Dead Zone smashing a vase. Because of Walken's upturned cape-like collar and the cane I saw him as a knight using his sword. A stretch, perhaps, but for the curious, that was the connection there. Then the man being flung against the wall was meant to follow and continue the momentum of the vase smash.


And finally, one shot in the movie references only the music. The opening shot from Army of Shadows is used in reference to the music itself, not to any other movie, as the music adopts the strains of an ominous march. Since "ominous march" is what I thought of hearing the music at that point, the Nazis marching in Paris seemed a perfect, if dark, fit.


As for the clips used almost all came from my DVD collection. There were about five or six that I loaded up in the Netflix queue for particular shots but everything else came from my homebase. I only used shots that worked for the movie so I was not then, nor now, concerned that I was not using Casablanca, The Magnificent Ambersons, The Third Man, Nosferatu and so on. I love them all but nothing jumped out at me from them that I wanted to use for this particular piece. It doesn't mean I couldn't have found something, but using the biggest movies wasn't my first concern. And then there are all the clips that I ripped from a DVD only to have them go unused in the end. A reaction shot from Ernest Borgnine in The Wild Bunch, Keith Carradine being shot on the bridge in McCabe and Mrs. Miller, the merry-go-round of cars and buses at the end of Playtime to be used with the merry-go-round at the end of Strangers on a Train (I tried it, it just didn't work). In fact, there was another connection with Jaques Tati that I was going to use as well that didn't work. In Mon Oncle, near the end, he lights his pipe with a car lighter and then tosses it out the window, just like John Belushi in The Blues Brothers. It worked okay, but where I was with the movie at that point it just didn't fit the music.


And speaking of the music...


It's not all there. If you seek out Complex City after watching Frames of Reference (and I hope you do) you will notice it's a good minute and a half longer than what you hear in my movie. That's another thing about me as an editor: I believe less is more. If I ever do become a recognized film director and you see a DVD of mine labeled as "Director's Cut" it will most likely mean that I have made the film shorter for the DVD release. I like films to leave you wanting more, not looking at your watch. Complex City is a great piece of music, but at over eight minutes it was simply too long for my purposes. At the 4:40 mark, when Dick Wesson of Destination Moon is opening the door with a smile on his face, a piano solo begins. It ends a minute or so later and then the horns take back over. Musically it works beautifully. Filmically, it brought the whole damn thing to a halt. So I cut it and patched the first section to the second section, sans piano solo. But I did start work on it before giving up. I even had a clip of Fredric March playing the organ from Dr. Jekyl and Mr. Hyde. In the end though, it worked too much against the rhythm of the movie.


And now for the list of movies used which is going to turn this into one long damn post. It was enough to type all these in, I don't have the energy to parenthetically list each director and year as well. Sorry. For movies that have more than one version, however, I have listed their year. I used 106 different movies for a total of 158 separate clips (if your number differs from mine it may come from the fact that I'm not counting when two or more clips from the same movie are used consecutively, like the Au Hasard Balthazar slaps or the succession of shots from The Day the Earth Caught Fire - to me, those count as a single clip because nothing separates them).


And so, without further ado, here are the movies used in order of their appearance in Frames of Reference:



1. Le Mépris (Contempt)
2. Walkabout
3. Black Narcissus
4. The Shining
5. The Trial
6. Weekend
7. Walkabout
8. The Pawnbroker
9. Bride of Frankenstein
10. Intolerance
11. Stroszek
12. The Edge of the World
13. La Belle et la bête (Beauty and the Beast -1946)
14. Peeping Tom
15. La Belle et la bête (Beauty and the Beast - 1946)
16. Alien
17. Altered States
18. The Black Stallion
19. 20,000 Leagues Under the Sea
20. The Wizard of Oz
21. The French Connection
22. The Exorcist
23. Jaws
24. Black Narcissus
25. Vertigo
26. Bridge on the River Kwai
27. Bad Day at Black Rock
28. The Devil and Daniel Webster
29. The Maltese Falcon
30. Lawrence of Arabia
31. The Spy Who Loved Me
32. The Wizard of Oz
33. Vertigo
34. Bridge on the River Kwai
35. Amadeus
36. Singin' in the Rain
37. The Band Wagon
38. 8 1/2
39. Bande à part (Band of Outsiders)
40. Body Heat
41. Local Hero
42. The Right Stuff
43. Touch of Evil
44. Body Heat
45. Bande à part (Band of Outsiders)
46. Dr. Strangelove
47. The Big Lebowski
48. 8 1/2
49. The Red Shoes
50. Don't Look Now
51. Hiroshima, Mon Amour
52. Citizen Kane
53. Gun Crazy
54. Out of the Past
55. Dracula (1931 American Version)
56. Metropolis
57. Black Narcissus
58. Dracula (1931 Spanish Version)
59. Mon Oncle
60. The Trial
61. Dead End
62. Walkabout
63. Medium Cool
64. The Pawnbroker
65. McCabe and Mrs. Miller
66. Black Narcissus
67. The Shining
68. Army of Shadows
69. The Lost World (1925)
70. Lawrence of Arabia
71. 2001: A Space Odyssey
72. The Day the Earth Caught Fire (5 consecutive clips)
73. The Invisible Man
74. Airplane
75. 8 1/2
76. Cutter's Way
77. Excalibur
78. Peter Pan (1924)
79. Royal Wedding
80. Peeping Tom
81. Down Argentine Way
82. Au Hasard Balthazar (2 consecutive clips)
83. The Ruling Class
84. Singin' in the Rain
85. The Ruling Class
86. Royal Wedding
87. Network
88. Bad Day at Black Rock
89. Medium Cool
90. Destination Moon
91. A Clockwork Orange
92. La Règle du jeu (Rules of the Game)
93. Out of the Past
94. Last Tango in Paris
95. Lost Horizon
96. Singin' in the Rain
97. Taxi Driver
98. Wizard of Oz
99. A Clockwork Orange
100. Double Indemnity
101. The Big Lebowski
102. Raiders of the Lost Ark
103. The Life and Death of Colonel Blimp
104. The Great Escape
105. The Life and Death of Colonel Blimp
106. The Great Escape
107. Topper
108. The Life and Death of Colonel Blimp
109. Touch of Evil
110. La Passion de Jeanne d'Arc (The Passion of Joan of Arc - 1928)
111. Dr. Jekyl and Mr. Hyde (1931)
112. Dinner at Eight
113. Dr. Jekyl and Mr. Hyde (1941)
114. Lost Horizon
115. North by Northwest
116. The Searchers
117. The Dead Zone
118. Some Like it Hot
119. Last Tango in Paris
120. The Trial
121. Bad Day at Black Rock
122. Raiders of the Lost Ark
123. Wild Strawberries
124. La Règle du jeu (Rules of the Game)
125. Out of the Past
126. A Christmas Story
127. Gun Crazy
128. Jaws
129. No Country for Old Men
130. Apocalypse Now
131. Forbidden Planet
132. Last Tango in Paris
133. Invasion of the Body Snatchers (1978)
134. The Twelve Chairs
135. Invasion of the Body Snatchers (1978)
136. The Bride of Frankenstein
137. A Clockwork Orange
138. The Battle of Algiers
139. Touch of Evil
140. Planet of the Apes
141. Dr. Jekyl and Mr. Hyde (1941)
142. Arsenic and Old Lace
143. Dead End
144. North by Northwest
145. Topper
146. Witness for the Prosecution
147. Nashville
148. The Battle of Algiers
149. La Passion de Jeanne d'Arc (The Passion of Joan of Arc - 1928)
150. Excalibur
151. The Dead Zone
152. The Legend of Drunken Master
153. M.A.S.H
154. Au Hasard Balthazar
155. Witness
156. The Godfather, Part II
157. Gun Crazy
158. Contempt