Everyone seems to have a favorite Saul Bass opening credit sequence. Lord knows, the man did so many and with so much ingenuity it's easy to see why so many claim his credit sequences as their favorites but it also presents the problem of which one to choose. With such credit sequences as Vertigo, Anatomy of a Murder, North by Northwest and Walk on the Wild Side on his resume it's a veritable cornucopia of title sequences from which to choose. And while it's hard to deny those, especially that slinking black cat from Walk on the Wild Side, I have to go with Bunny Lake is Missing for my own personal favorite.
One of the factors in my choice, aside from the obvious, which is to say the fantastic tearing away motif, is probably that I like Bunny Lake more than Walk on the Wild Side what with its twists and turns, Keir Dullea on the swingset and Noel Coward in one of the most entertaining supporting performances of the sixties. And of course there's Laurence Olivier, walking through all of it with his kitchen sink accent, the kind he used in his cameo in The Magic Box or in his role of Archie Rice in The Entertainer, the kind where he tries to sound as if he isn't completely refined and sort of succeeds. And I'm not being derisive, I love Olivier's kitchen sink accent, even if it never quite pulls off the deception. It has a wonderfully rugged flatness about it that's entertaining just to listen to.
Back to the credits. I love them enough that they even inspired one of my favorite banners of the nearly 400 I've made here at Cinema Styles, this one here. Anyway, enough of this talk. The credits speak for themselves... and here they are.