Orson directing the Chronicle Staff for the upcoming photo shoot.
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The famous shot of Kane surrounded by a sea of papers is set up.
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Orson discusses costuming while a shorn Everett Sloane looks on.
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Orson watches the rushes (or dailies) with an absolutely exhausted looking Joseph Cotten.
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Using the viewfinder to set up the shot. Orson worked hand in hand with his cinematographers to achieve the visuals he wanted.
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Not sure what Erskine Sanford finds so funny but Orson seems amused.
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Orson with cinematographer Gregg Toland behind the camera.